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Monday, March 30, 2009

We Could **** You Birch - Research

There are a lot of possibilities that influence the writer’s work based on the history of Malaysia.As we all know during Kee Thuan Chye’s time the issue of the marginalization on the English writer is affecting certain people especially himself. This is one of the causes that influence his work as in the play he had touch on the issue of freedom in writing. “In 1987, three newspapers had their publishing permits withdrawn”. (pg 37) He jots down his dissatisfaction through the character Lela as he drops out from the character. The media are not given the freedom to publish their works. As most of the English writer, Kee Thuan Chye feels restricted to express his opinion freely. This alienation also drives him to write some words in Bahasa in his play. The word such as “Okay lah”, “sayang”, and “kurang ajar” are purposely to show that he is still a Malaysian. These definitely show his nationalism as a forth generation of Malaysian even most of his work are produce in English.
Another thing that influences his writing of the play is the mindset of the people during colonization and after our country gets its freedom. In the play Dato Maharajalela carries the old mindset of a typical man where women can fulfill themselves by fulfilling their husband.


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We Could **** You Birch - Writing Style and Literary Devices

Kee Thuan Chye has his own way to deliver his message to the audience. His writing style has boost up the excitement in reading the novel. Furthermore, the usage of literary devices ignites the interest among readers.
From our point of view, the writer uses colloquial language. It will be easier for the readers to understand the play. The words such as kurang ajar, a duri in the nether parts and okay lah do not halt the flow of the play as Bahasa Melayu is the National Language. Most races in Malaysia can understand well the Malay words. This is also to show that his nationalism is still present in his spirit of a Malaysian citizen.
Kee Thuan Chye uses the element of monologue as the literary devices. He portrayed this element on the character of Dato Sagor as he regretted about his life because he got no son. He is thinking of Kuntum as a thing to give him what he wants. However, because of the different status he will never get Kuntum. Even if he manage to marry Kuntum people surrounding will not approve the bond because slaves are seen as lowly as dust.
Another literary devices used is symbol. From our point of view, silat symbolize the tradition and the spirit of the Malay. Tradition plays a very important role in Malay community during the time of colonization. Silat can also be seen as a weapon to protect the Malay tradition from the outsiders. Silat is also the symbol of unity as the silat exponents are working together to immobilize Birch. We interpret this as the Malays’ should be united in bringing down the outsiders who try to get benefits from our motherland.


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We Could **** You Birch - Setting

After reading the novel twice, I begin to think that Kee Thuan Chye has beautifully complemented the settings with the built up of the story line. The writer had related the past and the present time where these actors who are rehearsing on the assassination of J.W.W Birch always drop out of their character. As they drop out of the character, they began to talk about the present issues such as the political state of Malaysia and truth of the story. As in the present the setting will be mostly on the stage. However when they are rehearsing, they setting will be at Pasir Salak, Perak.



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We Could **** You Birch - Characters

For the character, there is two parts of them. For the first part there are characters from the time of old time and there a few a characters that are from the modern time. For the old time the first character is Dato’ Maharaja Lela.
He is the Upriver Chief of the Pasir Salak. He is the head that was in charge to collect all the taxes. He has a traditional thinking and he is a typical old Malay leader. During the time of colonization by British,He was one of the most well known fighter that famous with his anti-colonization. More than that he is Mastura’s father and he is a strict father because he always wants Mastura to adhere to what he wants for Mastura.
Secondly,Dato Sagor.Dato Sagor is the good friend of Dato’ Maharaja Lela and he is one of Dato’ Maharaja Lela follower that against the British colonization. Compare to Dato’ Maharaja Lela, he is more mean and selfish. By looking the ways he treat his slaves, Kuntum we can say that he is mean and selfish. He willing to do anything as long it fulfills his needs. Moreover, from the reading, we can simply say that he is a manipulative type because at the end he is the one that manipulate Kuntum’s husband, Si Puntum to kill Birch. For all what that happened, we believe that Datuk Sagor against the British because he afraid that he will lose power to his people.
The other character is Birch. Birch is the Perak’s British Resident, J.W.W Birch. He is the one who brought the ideology that the slavery culture should be abolished. In other part, we can say that he rude and do not respect our Malay culture because he never respects the power of Sultan. Worse, he always insults the Sultan by challenging and disobeys of the Sultan’s order.
The other character that we should take point is Tan. Tan is Tan Kim Cheng, Leader of Chinese people that was together in meeting at the Pangkor in 1874. In this play, Kee Thuan Chye try to describe that Tan is a Clever but also a selfish leader. All he does is just for the best of him and his people only. Moreover, the writer tries to describe that he is very good in manipulating the situation to get away from troubles and make profits to himself and his children.
Kuntum and Mastura are the small characters that have been created up by the Kee Thuan Chye in his play. In this play,she was the Datuk Sagor’s slave. Kuntum is the Si Puntum’s wife. She is a loyal wife and loves her husband very well. While Mastura is the daughter of Dato’ Maharaja Lela. She has a modern thinking and she always argues with her father about the role of women. She is seen as a fully-functioning part of the male world, governed by rational thought and a strong sense of ethics.
Other character is Si Puntum. Si Puntum is Kuntum’s husband and he loves his wife. He is willing to make sacrifice for her wife. He is willing to kill Birch even though he knows that it is not the right way just because he thinks that Birch had made his wife as his slave and treat her very bad. More than that, he is easily being manipulated by Datuk Sagor to kill Birch.
For the modern time, Kee Thuan Chye had put in a few characters that used for the reader to make different with the old time character. Those character are Ashburn,where if we translate in Malay it will be Abu Bakar,a typical Malay name. Others are Chee Yoon and Sal. They were described as a more modern person and seem like lost their roots however they are not. They still live with Tempoyak, a kind of Malay food. Other character is Sofea. Sofea seems like she lost her roots very well after being abroad for a long time. She also smokes even though she is a girl which is against the culture.


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We Could **** You Birch - Issues

There is 4 issues that has been stated in this drama. They are the marginalization of the English writers, gender bias, problems in the politic world and clash between modern and traditional thinking.
The marginalization of English writer
Kee Thuan Chye conveys his dissatisfaction of the freedom of writers at that time by using the actor playing Lela. In the play, the actor is reading a newspaper about a cabinet minister’s quote that is “The media must be given freedom to express opinion freely, even the right to be wrong. But if it abuses its right, then the authorities have a duty to intervene.”In 1987, three newspapers had their publishing permits withdrawn. The writer tries to show his dissatisfaction on the issue the alienation of English writer during that time.
Gender bias
He portrayed how women are treated during that time and the present time. The actor playing Lela tells his daughter, Mastura that it is the custom that women must serve their husband and nothing more than that. (pg 30). Women have their limit while talking. (pg 59) As Lela tells his daughter, Mastura that her speech is too direct. Mastura had argued with her father about the slave’s system.
Problem in the political world
The actor playing sultan reads the newspaper about the issue of political in Singapore as in 1993; an amendment to the Constitution enabled a certain politician to be appointed a Federal Minister without his having to vacate his seat as a State Assemblymen. Less than a year a Politian which his name was not stated in the play resigned his Ministerial position and left the Allies. Moreover he soon joined the Opposing Party. As a result the Opposing Party won the elections. (pg 35) This show that there are a lot of propaganda happen in the politic world as some politicians joined in not for the people’s welfare but for their own benefits.
Clash between modern thinking and traditional thinking
From the book, there is a part when Dato’ Maharaja Lela have a conversation with his daughter. For certain, this part can be seen as gender bias issues however it also can be seen as the clash between a modern and traditional thinking. His daughter, Mastura seems have a modern thinking while Dato’ Maharaja Lela seem to have a traditional thinking where they were arguing about
What Lela should do in her life? Dato’ Maharaja Lela thinks that women should get marry and fulfill her husband needs however Mastura think that women also need to get a good education and she want to go abroad and get to know the world first and she also wondered that why women cannot be a leader.(page 30 and 31).


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We Could **** You Birch - Theme

We Could **** You, Mr. Birch works actively to destabilize the power of men as a centre of integrity, masculinity and autonomy. The playwright questions the whole nationalist myth through his self-centered, greedy male characters, with the female characters functioning as the rational, ethical voice that is so lacking in the men. By juxtaposing the past and the present the writer portrayed the similarities in the character of Sofea and Mastura between Dato Maharajalela and Ashburn.
From our understanding the writer wants to make differences between the male and the female. Mastura brings a wider, humanistic perspective to bear on the discussion of slavery, where her father insists that slaves maintain their lowly place within the patriarchal hierarchy. This shows the differences in thinking between male and female as Dato Maharajalela is seen as greedy who make interest on the slave system. In the present, this ideology is being brought out by the character of Ashburn and Sofea. Sofea had argued over by Ashburn’s greed in venturing the stock market. However, he claimed that Sofea is being pessimistic and he is very confident. The writer undermines Ashburn’s confidence by referring to actual cases of stock market frauds and crashes, such as the “Union Paper tip… from some Datuk who’s very well connected” (46). The audience, being aware of these cases, would obviously react to Ashburn’s optimism with some skepticism, and Sofea’s warnings would appear wise.


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